IVAS 2022 banner
IVES 9 IVES Conference Series 9 IVAS 9 IVAS 2022 9 Interpreting wine aroma: from aroma volatiles to the aromatic perception

Interpreting wine aroma: from aroma volatiles to the aromatic perception

Abstract

Wine contains so many odorants that all its olfaction-related perceptions are, inevitably, the result of the interaction between many odorants. This natural complexity makes that the study of wine aroma has to deal not only with the quantitative determination of a large group of odorants, but has also to understand the basic principles determining the interactions between odorants. The basic mechanisms of odour interactions are not well known and seem to be very complex, but taking as base classical studies did by psychophysicists in the last 50 years, some outcomes of flavour chemistry, and some basic elements of the theory of perception, it has been recently possible to propose a systematic classification of odour interactions into four different categories: competitive, cooperative, destructive and creative. 
Competitive interactions take place when two or more non-blending odours are simultaneously perceived. The perceived intensity of any of them decreases as the odour intensities of other of the components is increased. Cooperative interactions take place when many odorants are present at subthreshold levels and are particularly relevant when similar odorants are present at whatever odour intensities. In these last cases, these interactions lead to the formation of odour vectors, which are groups of odorants of similar aroma acting concertedly and translating to the final product a specific aroma feature.  Destructive interactions take place when one of the odours present in the mixture is able to deconfigure the odour perception of the others, bringing about a decrease in the odour intensity before the deconfiguring odour is perceived. Most wine off-odours belong into this category. Creative interactions are configurational processes and take place when a new odour emerges out of the mixture of odorants. In milder cases, the addition of one odorant boosts the intensity of the others present in the mixture.
With these elements at hand, it is possible to propose a systematic to understand the chemical bases of wine aroma perceptions. Overall, around 80 aroma molecules, seem to be able to explain the different positive aroma nuances of all wines. The major wine volatile components, all of them by-products of alcoholic fermentation, form “the wine aroma buffer”, which is a mixture with vinous aroma and a strong deconfigurational power induced by the destructive interactions elicited by ethanol, isoamyl and isobutyl alcohols and acetic acid. Then, wine odorants are further classified into 35 different aroma vectors, broadly classified into 10 different odour categories. Some creative interactions, leading to relevant wine odours, such as pineapple, strawberry candy, black fruits or raisins have been also identified and will be discussed.

DOI:

Publication date: June 23, 2022

Issue: IVAS 2022

Type: Article

Authors

Vicente Ferreira¹

¹Laboratory for Aroma Analysis and Enology (LAAE)

Contact the author

Keywords

wine aroma, flavor, odorant, perceptual interaction

Tags

IVAS 2022 | IVES Conference Series

Citation

Related articles…

The wine microbial ecosystem: Molecular interactions between yeast species and evidence for higher order interactions

Fermenting grape juice represents one of the oldest continuously maintained anthropogenic microbial environments and supports a well-mapped microbial ecosystem. Several yeast and bacterial species dominate this ecosystem, and some of these species are part of the globally most studied and best understood individual organisms. Detailed physiological, cellular and molecular data have been generated on these individual species and have helped elucidate complex evolutionary processes such as the domestication of wine yeast strains of the species Saccharomyces cerevisiae. These data support the notion that the wine making environment represents an ecological niche of significant evolutionary relevance. Taken together, the data suggest that the wine fermentation ecosystem is an excellent model to study fundamental questions about the working of microbial ecosystems and on the impact of biotic selection pressures on microbial ecosystem functioning. Indeed, and although well mapped, the rules and molecular mechanisms that govern the interactions between microbial species within this, and other, ecosystems remain underexplored. Here we present data derived from several converging approaches, including microbiome data of spontaneous fermentations, the population dynamics of constructed consortia, the application of biotic selection pressures in directed laboratory evolution, and the physiological and molecular analysis of pairwise and higher order interactions between yeast species. The data reveal the importance of cell wall-related elements in interspecies interactions and in evolutionary adaptation and suggest that predictive modelling and biotechnological control of the wine ecosystem during fermentation are promising strategies for wine making in future.

Chardonnay white wine bottled with different oenological tannins: effect on colour traits, volatile composition and sensory attributes during shelf-life

The use of oenological tannins during winemaking has been mostly studied for improving colour traits and stability on red wines. Their effectiveness mainly depends on the tannin composition, grape variety and winemaking approach [1].

Climate ethnography and wine environmental futures

Globalisation and climate change have radically transformed world wine production upsetting the established order of wine ecologies. Ecological risks and the future of traditional agricultural systems are widely debated in anthropology, but very little is understood of the particular challenges posed by climate change to viticulture which is seen by many as the canary in the coalmine of global agriculture. Moreover, wine as a globalised embedded commodity provides a particularly telling example for the study of climate change having already attracted early scientific attention. Studies of climate change in viticulture have focused primarily on the production of systematic models of adaptation and vulnerability, while the human and cultural factors, which are key to adaptation and sustainable futures, are largely missing. Climate experts have been unanimous in recognising the urgent need for a better understanding of the complex dynamics that shape how climate change is experienced and responded to by human systems. Yet this call has not yet been addressed. Climate ethnography, coined by the anthropologist Susan Crate (2011), aims to bridge this growing disjuncture between climate science and everyday life through the exploration of the social meaning of climate change. It seeks to investigate the confrontation of its social salience in different locations and under different environmental guises (Goodman 2018: 340). By understanding how wine producers make sense of the world (and the environment) and act in it, it proposes to focus on the co-production of interdisciplinary knowledge by identifying and foreshadowing problems (Goodman 2018: 342; Goodman & Marshall 2018). It seeks to offer an original, transformative and contrasted perspective to climate change scenarios by investigating human agency -individual or collective- in all its social, political and cultural diversity. An anthropological approach founded on detailed ethnographies of wine production is ideally placed to address economic, social and cultural disruptions caused by the emergence of these new environmental challenges. Indeed, the community of experts in environmental change have recently called for research that will encompass the human dimension and for more broad-based, integrated through interdisciplinarity, useful knowledge (Castree & al 2014). My paper seeks to engage with climate ethnography and discuss what it brings to the study of wine environmental futures while exploring the limitations of the anthropological environmental approach.

Yeast interactions in chardonnay wine fermentation: impact of different yeast species using ultra high resolution mass spectrometry

During alcoholic fermentation, when yeasts grow simultaneously, they often do not coexist passively and in most cases interact with each others

Effect of microwave maceration and SO2 free vinification on volatile composition of red wines

This study evaluates the effect of microwave treatment in grape maceration on the content of free and glycosidically bound varietal compounds) of must and wine and on the overall aroma of wines produced in the presence and absence of SO2.